Strum Enchanted Evening?

Well last night’s gig was always going to be tricky.
I thought I did ok-ish, but it was hard work.
The show at the Voodoo Rooms is predominantly an open-mic musical event, featuring a succession of acoustic singer-songwriters performing 3 songs each.
The compere cheerily introduces the acts, but the overall tone of the evening is quite earnest.
To parachute stand-up comedy in the middle of a show like this is something of a challenge ; a challenge which I was happy to accept, as it’s definitely worthwhile to get out of the comedy club “comfort zone” and test your act on an audience who have not been warmed up by a comedy compere, or perhaps have not even anticipated that there was a scheduled comedy element on the bill.
I was highly impressed by the quality of the musicians. There was some really excellent stuff, and regardless of how my act went, I thoroughly enjoyed the evening..
I did feel I possibly lost a few of the audience even before I got on stage though.
A young male act deadpanly introduced an instrumental piece by informing the audience that he’d written it especially for his girlfriend and was originally intending playing it on a local radio station on Valentine’s Day and dedicating it to her.
He then went on to lament that his girlfriend had unexpectedly ended their relationship earlier this week.
There were a few suppressed titters at this tragic revelation, but I involuntarily loudly guffawed, and attracted several withering glances.
Being an alleged comedian, I was anticipating a punchline, and when it didn’t appear my big laugh reverberated around the room, as my brain computed “jeezo…! he’s serious!”.
There were pockets of the audience giggling away merrily during my act, but there were also quite a lot of blank, non-comprehending expressions.
It probably would have worked better if I’d tried to write some material specifically about the musical open-mic phenomenum.
As a form, it seems to have really exploded, and there must be a lot of humour to extract from it.
I did feel awkward in that some of the preceding acts had described their aspirations for a “raised level of consciousness” to save mankind, with many other worthy sentiments of peace, love and understanding.
I’m not saying I disagree with these ideals, just that it felt a bit odd in context, to be bemoaning my Grandfather’s blocked toilet.
I did mention that I felt I’d inadvertently emptied a large bucket of shit into the “stream of consciousness” which had pervaded the evening.
That got quite a big laugh.
The puns got a lot of groans.
This is always a sign of a troublesome gig for me, in that the audience are reacting solely to the admittedly, often awful punchlines, rather than, ,for example, finding the concept of someone walking around all day with a pot of pasta attached to their foot, intrinsically amusing.